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Micro: A Novel, by Michael Crichton, Richard Preston
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In Jurassic Park, he created a terrifying new world. Now, in Micro, Michael Crichton reveals a universe too small to see and too dangerous to ignore.
In a locked Honolulu office building, three men are found dead with no sign of struggle except for the ultrafine, razor-sharp cuts covering their bodies. The only clue left behind is a tiny bladed robot, nearly invisible to the human eye.
In the lush forests of Oahu, groundbreaking technology has ushered in a revolutionary era of biological prospecting. Trillions of microorganisms, tens of thousands of bacteria species, are being discovered; they are feeding a search for priceless drugs and applications on a scale beyond anything previously imagined.
In Cambridge, Massachusetts, seven graduate students at the forefront of their fields are recruited by a pioneering microbiology start-up. Nanigen MicroTechnologies dispatches the group to a mysterious lab in Hawaii, where they are promised access to tools that will open a whole new scientific frontier.
But once in the Oahu rain forest, the scientists are thrust into a hostile wilderness that reveals profound and surprising dangers at every turn. Armed only with their knowledge of the natural world, they find themselves prey to a technology of radical and unbridled power. To survive, they must harness the inherent forces of nature itself.
An instant classic, Micro pits nature against technology in vintage Crichton fashion. Completed by visionary science writer Richard Preston, this boundary-pushing thriller melds scientific fact with pulse-pounding fiction to create yet another masterpiece of sophisticated, cutting-edge entertainment.
- Sales Rank: #243633 in Books
- Published on: 2011-11-22
- Released on: 2011-11-22
- Format: Bargain Price
- Number of items: 1
- Dimensions: 9.00" h x 1.37" w x 6.00" l,
- Binding: Hardcover
- 448 pages
Amazon.com Review
Amazon Exclusive: “Micro is Anything But Small” by James Rollins
An avid spelunker and scuba enthusiast, James Rollins holds a doctorate in veterinary medicine and is the author of the New York Times best-selling Sigma Force series, the most recent of which is The Devil Colony.
First I have to admit, Michael Crichton is why I write. In fact, if not for his books, I’d probably still be a practicing veterinarian in Northern California, dealing with flea allergies, ear infections, and all manner of medical maladies. It was Crichton’s stories of wild adventures, his explorations into the strange frontiers of science, and his truly ripped-from-the-headlines plotting that inspired me to set down my own scalpel and stethoscope and pick up pen and paper.
But his influence went beyond mere heady inspiration. His books also served as a tutorial into the practicalities of storytelling. When I tackled my first novel (a deep-earth adventure titled Subterranean), I continually kept a copy of Jurassic Park on the shelf above my desk. That book became my roadmap on how to build a story’s structure: who dies first and when, at what point do we see the first dinosaur, how do you fold science into a novel without stagnating the flow? That old copy of Jurassic Park remains dog-eared and heavily highlighted, and it still holds a cherished place on my bookshelf.
So I dove into Crichton’s latest novel, Micro, with some trepidation, fearing how a collaborative effort might tarnish his great body of work. Now, to be fair, I’d also read Richard Preston’s nonfiction masterpiece of scientific horror and intrigue, The Hot Zone. That book was as brilliant as it was terrifying. But still I wondered, could Preston take Crichton’s story and truly do it justice?
In a word: YES.
In two words, HELL YES.
Micro is pure Crichton. Dare I say, vintage Crichton, harkening back to the scientific intrigue of Andromeda Strain, to the exploration of the natural world covered in Congo, and to the adventure and thrills of The Lost World. As only Crichton can, he has taken a scientific concept as wild as the one he tackled in Timeline and exceeded in making it chillingly real. It took a clever quirk of genetics and cloning to give rise to the dinosaurs in Jurassic Park. Likewise, a twist of science in Micro calls forth a new horror out of the natural world—but not just one line of threat. In this book, the entire biosphere becomes a vast and deadly playground. Its depiction is both darkly beautiful and stunningly dreadful. It is a terrain as foreign as any hostile planet, yet as close as our own backyard. To tell more would ruin a great adventure that will have you looking out your window with new eyes.
Similarly, this lethal and toxic terrain must be traversed by a band of gutsy heroes. But in typical Crichton style, these are not elite commandos or a highly trained black ops team. They’re simply a group of graduate students—each uniquely talented and flawed—gathered from various scientific disciplines: entomology, toxicology, botany, biochemistry. They must learn to combine resources and ingenuities to survive and ultimately thwart a danger threatening to break free into the world at large, all the while pursued by a sociopath as cunning as he is sadistic.
In the end, Micro has everything you’d expect in a Crichton novel—and so much more. But the greatest achievement here is a simple and profound one: with this novel, the legacy of a true master continues to shine forth in all its multifaceted glory. And someone somewhere will read this novel, turn the last page, and in a great aura of awe and inspiration, come to a realization: I want to try to write stories like that.
And they will.
Review
Praise for Prey: 'One of the most ingenious, inventive thriller writers around ... Prey sees him doing what he does best - taking the very latest scientific advances and showing us their potentially terrifying underbelly. Another high-concept treat ... written in consummate page-turning style' Observer 'This is Crichton on top form, preying on our fears about new technology and convincing us that we aren't half as afraid as we should be' The Times 'Mixing cutting-edge science with thrills and spills, this is classic Crichton' Daily Mirror Praise for Next: 'A wonderful farrago, energetically stirring up a lot of scientific, medical, business and legal issues... marvellous' Evening Standard 'A satirical black-comedy thriller... Crichton writes likes Tom Wolfe on speed... completely brilliant... Crichton's treatise on how breakthroughs in genetic science have been hijacked by science is anything but dull... top form' Daily Mail 'One of the most reliable purveyors of brain-engaged fiction at work today... he is too good a writer not to nail us... diverting stuff' Daily Express 'Crichton has certainly done his research... his alarm is hard to dispute... compelling... extremely funny' Sunday Times 'Be very afraid... expertly blending science fact with fiction, Crichton sets up mind-boggling scenarios where doctors, lawyers, scientists and big business play God... the pace and intrigue last to the final page' News of the World 'A satiric polemic... a convincing and scary warning from Crichton' Sunday Times Praise for State of Fear: 'The pages whip by. Does exactly what you want the prose in a thriller to do' Telegraph 'Crichton's new novel is an environmental adventure of truly global proportions. Intelligent, readable and guaranteed to get the grey matter going' Mirror 'A page-turner...this is an action-packed read concerning a Machiavellian global-warming scam' Daily Mail
From the Back Cover
In Jurassic Park, he created a terrifying new world. Now, in Micro, Michael Crichton reveals a universe too small to see and too dangerous to ignore.
In a locked Honolulu office building, three men are found dead, covered in ultrafine, razor-sharp cuts. The only clue left behind is a tiny bladed robot. In the lush forests of Oahu, trillions of microorganisms are being discovered, feeding a search for priceless drugs. In Cambridge, Massachusetts, seven graduate students are recruited by a microbiology start-up and dispatched to a mysterious lab in Hawaii. There they are promised access to tools that will open a whole new scientific frontier.
But once in the Oahu rain forest, the scientists are thrust into a hostile wilderness where they find themselves prey to a technology of radical and unbridled power. To survive, they must harness the inherent forces of nature itself.
An instant classic, Micro pits nature against technology in vintage Crichton fashion. Completed by visionary science writer Richard Preston, this boundary-pushing thriller melds scientific fact with pulse-pounding fiction to create yet another masterpiece of sophisticated, cutting-edge entertainment.
Most helpful customer reviews
144 of 156 people found the following review helpful.
Not Crichton's Fault...
By Tomorrow's Man
I've seen a few reviews on here that imply that the reader "outgrew" the writer and other ridiculous statements; this book clearly had a minimal ratio of Crichton's work compared to Mr. Preston and who knows how many countless editors along the way. This simply isn't a Crichton book. Crichton's writing was at once detailed and complex, but able to keep the reader flowing through the concepts regardless of how difficult the topical material could be; this book suffers immeasurably from nothing more than either entry-level writing or horrendous editing.
The book reads much like this. The book reads like a bad book. And the book starts most of the sentences with And or But or Then. Then the book stops the plot to explain that a character is in the book because of their Passion for Robots. And for Technology. And they are not a nice character. And they did some very bad things. Then they killed someone. But we can't say who. Not yet but we will.
It doesn't read like a children's book, it reads like it was written by a child.
If I could be at all compassionate, I could speculate that much of the material is indeed Crichton's -- but a very early draft, when he was still sketching out the characters, the progress of the plot, the scenery and scenarios; constant sentence fragments and dangling participles are indicative of a rough draft. If this is the case, then micro is an even greater injustice to Crichton's body of work, as he clearly would not have exposed such coarse-hewn pages to the world before he had re-crafted them expertly.
234 of 262 people found the following review helpful.
It's not a masterpiece, but it's fine airplane reading
By Susan Tunis
I was, and am, a huge fan of Michael Crichton's work. I never had very high expectations for this final novel, but that's no reflection on the choice of Richard Preston to complete the work. In any case, for better or worse, Micro lived up to my tempered expectations.
Like several of Crichton's earlier novels, Micro has a high concept hook. Most nanotech companies fabricate on a nano scale, but Nanigen MicroTechnologies has developed revolutionary shrinking technology. Not only can they reduce machines and robots, they can reduce living beings and then return them to full size. I won't get into all the details of the novel's set-up, but seven graduate students learn about this technology the hard way once they become a threat to Nanigen's president. Seven against one is much easier to manage when the seven (and one unlucky Nanigen employee) are half an inch tall. Before they can be dispatched quickly, however, the students escape into Hawaii's verdant "micro world."
Crichton's strengths and weaknesses as a storyteller remain consistent. His primary characters are more archetypes than individuals. Rather than Rick, Erika, Amar, and Karen, these students quickly show themselves to be the Leader, the Warrior, the Know It All, the Weasel, and so forth. Each has an assigned role to fulfill. Some barely live long enough to become typecast, because the micro world is treacherous. When you're half an inch tall, a beetle is not unlike a rhinoceros. Luckily, these students are unusually well prepared to survive their hostile surroundings--or unusually well informed about the danger they're in--depending on how you look at it. Among them there are experts in insects and arachnids, poisons and venoms, and the chemical defenses of plants and animals.
Crichton is great about translating the wonder of science. His amazing shrinking technology won't send me running to the textbooks this time around, but there's still plenty of gee whiz science to be enjoyed in Micro's pages. More than that, he effectively shows the beauty as well as the horror of the situation his characters are in. As for the horror, I have to admit that I found it especially disturbing this time out. I have no special fear of dinosaurs, but I am absolutely phobic about spiders and insects. There are scenes that I definitely could have done without reading, and if this is an issue for you as well, be forewarned.
Much like Jurassic Park, Micro has a picaresque quality, with its protagonists leaping from one threat to another. I hate to say it, but the plotting was pretty by the book. There was a police procedural subplot that never really went anywhere, and true surprises were few and far between. Despite this, I read the novel easily in a day (instead of saving it for my Thanksgiving flight like I was supposed to). Once I started, I didn't want to stop reading, and the pages flew past swiftly.
Preston appears to have done a good job finishing what Crichton left behind. There is no feeling that this is the work of another author. Still, I do find myself wondering how the novel would have differed had Crichton written it all. Alas, we'll never know. If you're a hard-core Crichton fan like me, by all means read this novel. Just don't expect this final work to be the man's masterpiece. And even if you're not a hard-core fan, if the premise sounds fun to you, you could do a lot worse for airplane reading.
164 of 191 people found the following review helpful.
Don't bother (if amazon would allow a "no stars" review rating, that's what I would have given it)
By P. Laird
I think I have read almost all of Michael Crichton's "science thriller adventure" novels, and seen most of the movies based on them -- "The Andromeda Strain" (the original) and "Jurassic Park" being the best, or at least most enjoyable, in my opinion.
It's my great hope that "Micro", Crichton's last book (finished after his death by Richard Preston) never gets adapted into a movie... although in a time when stupid ideas get made into huge, stupid movies, it probably will.
"Micro" begins somewhat promisingly, with the mysterious deaths of several men, killed with a succession of tiny cuts inflicted by unseen forces.
And then it goes downhill.
No, that's too mild -- it CAREENS downhill.
We're introduced to seven graduate students from Massachusetts -- none of them at all memorable as characters -- who are induced to come to Hawaii to work with a new company called Nanigen. Within a short time of their arrival, they are lured into a room where a big machine shrinks them down to roughly one-half an inch tall... and a chapter or so later, they are struggling to survive in the Hawaiian jungle, fighting for their lives against insects and other creatures, as well as natural phenomena which are now potentially fatal at their vastly reduced size.
Now, that's a premise which could have been a lot of fun. I'm a big fan of stories of people being shrunk down and having to deal with life at a tiny size -- "The Incredible Shrinking Man" is one of my favorite movies. It's a scenario filled with opportunities for wonder, excitement and peril.
Of course, it helps -- no, it's NECESSARY -- to support such a ludicrous premise with consistent logic, and people it with characters you can care about. "Micro" succeeds on neither of these counts.
The story really begins to fall apart with the hasty exposition explaining the "science" behind the "tensor generator" which shrinks the students down to that one-half inch height. The "science" amounts to this -- very strong magnetic fields causes things to shrink.
Uh-huh.
This is a great example of the value of the "less is more" approach. If you have to do something which is, essentially, theoretically impossible, DON'T try to explain it in a way which is CLEARLY nonsensical to anyone with half a brain. Just briefly make up something about the technology behind your magic device, and move on.
So we have these seven people -- eight, actually, because one of the Nanigen technicians is accidentally shrunken down with the group -- now roughly the size of sugar cubes. (The rationale for the evil head of Nanigen doing this has something to do with a lame sublpot about the brother of one of the students learning the shocking truth about Nanigen, and said student finding out something about the complicity of the evil head of Nanigen in the death -- or APPARENT death -- of said brother.) Obviously -- and it is made obvious in the bad dialogue attendant to this scene -- the evil head of Nanigen has shrunken the students to get rid of them.
And here's his plan: He's going to feed them to one of the many snakes in Nanigen's laboratory. But the first snake the students are offered to doesn't eat them, due to some convenient repellent insect chemicals one of the students is carrying. (But the evil head of Nanigen doesn't realize that, and instead thinks the snake must just not be that hungry.) So then, instead of offering the students to the NEXT snake, and maybe the next one after that, he allows his somewhat reluctant (and obviously somewhat soft-hearted) associate to let the students go... into the jungle. At night. With no supplies or weapons with which to defend themselves from all the predators now extremely dangerous to them at their reduced size. Better than being fed to a snake, I guess, but not by much.
Now, in the hands of a good writer, the following chapters could have been a thrilling series of adventures as these sugar cube-sized students struggle to survive in this now-alien landscape, using their wits and their scientific knowledge to keep themselves alive and somehow get back to their former stature. But Richard Preston is not that kind of writer. Many of his concepts and dialogue choices are simply embarrassingly dopey. Here's one -- it's from the thoughts running through the head of the aforementioned reluctant associate of the evil head of Nanigen, referring to her relationship with same:
"... (he) had been incredibly good to her, advanced her career, paid her unlimited amounts of money..."
Really? The evil head of Nanigen has paid her an infinite amount of money? Huh? Was this book even proofread?
And this howler comes from later on in the book (page 202, to be precise) in one of the many clunky scenes in which everything stops so that some bit of biological science can be tediously explained. This is a character named Rick talking about the ingredient he needs to cook up some curare, a poison he hopes to use to defend them against the creatures who might want to eat them:
"That whiff of bitter almonds... can you smell it? Cyanide -- a universal poison, it'll kill anything, and fast. Cyanide -- a favorite of Cold War spies."
And here's another bizarre one from page 244, when one of the characters is being attacked by a wasp which is laying eggs in him:
"The wasp was... burying her stinger in his shoulder. And he felt nothing. His arm had gone dead.
"No!" he screamed, and grabbed the stinger in both hands, and tried to pull it out."
Now, maybe I'm missing a key element here, but... if one of your arms has "gone dead", how do you then grab something with BOTH hands?
One more -- on page 302, a police detective interviewing the evil head of Nanigen notices the smell of the cigar the evil head of Nanigen is smoking:
"The air had a pleasant aroma of cigar. Given the pleasance of the aroma, Watanabe concluded that the cigar had cost more than ten dollars."
When I first read that second line, I thought "Did the author just invent a word? 'Pleasance'? I've never heard that word before."
I asked my wife -- who had her laptop open -- to do a quick dictionary.com search for the word, and -- to my surprise -- it IS in fact a real word. Here's what dictionary.com had to say about it:
"pleas·ance' '[plez-uhns]
noun
1. a place laid out as a pleasure garden or promenade.
2. Archaic . pleasure."
So the author has chosen to use the archaic meaning of an uncommon word, for no particularly good reason... the mark of someone who writes with a thesaurus open at his side.
I came very close to abandoning "Micro" without finishing it... but I am loathe to do that with any book I've started reading, so I toughed it out and made it to the end. It wasn't easy. This is one of those rare books which was almost painful to read, and not because it includes troubling or disturbing concepts. It's just a terrible waste of trees. I wish I'd followed my earlier impulse and dumped it in the recycling bin.
Michael Crichton had a real knack for taking a premise which was slightly ludicrous and turning it into a compelling story, with just enough real science mixed in to keep up the suspension of disbelief. Richard Preston does not have that ability, if this book is any indication. -- PL
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